Last spring, I attended a symposium at the Museum of the City of New York on great New York residences. The charismatic Mitchell Owens spoke on Mame Dennis' Beekman Place townhouse and its numerous redecorations which reflected the latest fashions from the Great Depression through World World II.
Similarly, "Reata", the Benedict Ranch, in the 1956 epic Giant mirrored the changing social values and tastes of the Texan elite.
Reata as it is when Leslie (Elizabeth Taylor) comes to live as Bick's (Rock Hudson) new bride. High Victoriana, with red flocked wallpaper, leather upholstery, and heavily carved Eastlake style furniture. It must have been quite a shock for Leslie after the gracious Georgian-style house in Virginia she grew up in. The decor changes little until after Bick's commandeering sister Luz dies from a nasty accident and Leslie gives birth, firmly sealing her position as chatelaine. Circa 1920s, but its 19th century era decoration hints at Texas' provincialism at this time.
Reata gets the Hollywood treatment with a very Billy Haines vibe. White on white, touches of Chinoiserie, wall to wall carpeting, and low slung mod seat furniture. Love the cattleman at the white piano with the mirrored obelisks - so incongruous!
This is actually not Reata, but a suite at the ultra-glam Emperador Hotel which was based on the Shamrock Hotel in Houston. Had to include it for the lacquer Carlton House desk and the fantastic tufted sofas - calling Jonathan Adler! Bick is looking worse for wear as he comes to terms with the waning of the Rancher and the new dominance of the Oil Man in Texas.