Potted orchids and flags at Robert Simon Fine Art
Yesterday was the final day of the first-ever Spring Show NYC. If you missed it, don't worry - it will definitely be back next year. While there are many antiques shows already crowding up the calendar, this one stands out as fresh, eclectic, and, importantly, as it is a vetted show, everything is exactly what it is supposed to be.
Swedish design dynamo Lars Bolander was called in to apply his flair to the show's floor, which included yellow and white zebra-cotton slip-covered banquettes and 6' tall painted obelisks parading down the aisles.
Bolander's carnelian red center table and over-scaled Gothic style armchair greeted entrants to the show.
As much inspiration could be found in the dealers' display of objects as in the objects themselves.
Collier Gwin of Foster-Gwin earned raves from New York Times' art critic Roberta Smith for his coupling of abstract art with his stock of fine Continental antiques...
as seen in this dynamic pairing of "The Houston Scene" painted by Hassel Smith in 1959 hung over 18th century Italian Neoclassical painted console tables with fanciful trompe-l'oeil porphyry tops.
Smith also gave a best in show to Yew Tree House Antiques' stand. Kevin and Ahna apply a curatorial eye to their Folk Art treasures, both antique and contemporary. The dramatic 10' wide woodblock print of a pilot whale on the back wall got people buzzing. It is a recent work by British artist Julian Meredith whose work is already in major museum collections.
Alexander Cohane (whose mother Heather founded Park Avenue-acclaimed Quest magazine) brought Britannia Cool to the floor with an eclectic collection of periods and styles.
Traditional with a twist came in the form of a birch and naugahyde Swedish modernist cabinet-on-stand in Tribeca dealer Hostler Burrows's booth...
Exhibitor Jeff Bridgman American Antiques' proud display of antique American flags reflected the patriotic mood of the floor and the country the day after President Obama's astonishing news.